| | | | | diverse techniques and tools related to collage, |
| For the very first time, local spectators has the | | | | drawing, comics and abstraction, building multiple |
| opportunity to appreciate a complete venue of what | | | | readings on the structures and the own problematic of |
| has been the work of this Venezuelan artist, who | | | | the development of the visual culture in our society. |
| made his debut in Venezuela, his own country, with the | | | | |
| exhibition Arturo Herrera - Circular Ruins. | | | | This successful venue, besides exhibiting pieces of |
| | | | | some of the most important private collections of our |
| With a group of more than twelve works pertaining to | | | | and foreign countries, includes the display of the web |
| different private and institutional Collections, The D.O.P. | | | | based interactive piece Almost Home, important work |
| Foundation and The Odalys Foundation, displaying this | | | | pertaining to the collection of the Dia Art Foundation |
| proposal of anthological and institutional character, | | | | and the formal presence of the well worldwide |
| presents the trajectory of the Venezuelan artist | | | | known media producer Art21, Inc. |
| Arturo Herrera, a creator who contemporarily counts | | | | |
| with a forceful international presence, having displayed | | | | |
| important exhibitions in institutions of great prestige like | | | | Arturo Herrera / Circular Ruins was received with |
| the Museum of Modern Art (MOMA) and The Dia Art | | | | great success; the opening act counted with a |
| Foundation both from New York, The Renaissance | | | | massive support of the public including the presence of |
| Society of Chicago, the Centro Galego de Arte | | | | great personalities of the local culture life. This venue, |
| Contemporánea in Spain and the Musée D´Art | | | | that already counts with the best specialized critics |
| Moderne de la Ville de Paris in France, among others | | | | & comments, can be viewed until the 20th of |
| | | | September, Monday to Saturday from 10:00 a.m. to |
| The exhibition was successfully opened on Friday, | | | | 6:00 p.m. (Free admission). The exhibition is supported |
| June 19th in the new spaces of the Odalys Foundation, | | | | by the Curatorial and General Coordination of The |
| located in the well known Mall & Convention | | | | Odalys Foundation and The D.O.P. Foundation, |
| Center “Concresa”, at Prados del Este, | | | | besides the main text of Lorena González I. and critic |
| Caracas, allowing everyone to know and | | | | texts by Juan Carlos Ledezma and Maria Elena |
| comprehend the work of this renewed artist, | | | | Ramos among others. |
| worldwide qualified outstanding for his art that includes | | | | |