Cuban Santeria

Santeria was introduced in Cuba along with the huge"kimbisa" or "embisa" (it gathers the ones that make
migrations of African slaves, especially the ones ofthe beverages devoted to healing sicknesses); the
congo, carabalí, and yoruba origin, whose beliefs"kinfuiti" (whose job is to cry after the Dead) and the
mixed with the mandatory Christian religions of the"briyumba" (which covers everything).
Spanish Crown.  Today, this syncretism is part of theSanteria includes different levels of initiation and priestly
Cuban people's cultural heritage and it's present incategories. Among the best known are the
different literary and aesthetic ways of expression. It"babaloshas" and "iyaloshas", known in the island as
appears to be the Cuban result of the integration and"santeros" and "santeras" An important place is
cultural continuity of ethnic and religious elements ofoccupied by the "awuses" or "babalawos" (a Yoruba
Spanish and African participants. Worships to Orishasword etymologically coming from "baba" «father»
or other African deities, mainly Yoruba, are still aliveand "awó" «secret»). In Cuba, there are other
under worships to images of catholic saints. Along withintermediate diverse categories which require an
Santeria, other elements were introduced such as theuncalculated knowledge and an artistic talent for their
myths, legends, traditions, chants, dances, recipes, andcult, such as the "alú batá" or "tamboleros",
rituals that make up the Cuban culture nowadays. responsible for interpreting the Orishas' ritual music.
   They use three drums for the ceremony: the "iyá"
Apart from the well-known cult to the Orishas or(the biggest), the "itótele", and the third one is the
"Regla de Ocha", Africans brought to Cuba a new"okónkolo" (the smallest).  
way of religious organization: the Secret AbakúaThe "ilé-ocha" of santería is the so called "toque
Society (developed near the harbor and the piers,de santo", in whose ceremonies there could be
particularly in Havana, Matanzas and Cárdenas, in thedifferent functions: that of initiation, that of presentation
Northern coast of Western Cuba, integrated only byof the drum, that of birthday, that of funeral or the day
men), the only one of its type in America, representingof the catholic saint, as well as the parties for "having
a common phenomenon in Western Africa. Anotherfun" with the saints which are the "toques de güiro"
one was "Las firmas de los santos en el Palo Monte"(abwe or cekeré). No "santero" (a person practicing
or "Regla Conga", a religious cult of Bantú originsanteria) can be initiated if not baptized by the Catholic
practiced in the Island.    Church, although during his life as "santero" he'll respond
Among the Abakúas, there are a series of organizingto the "Regla de Ocha". Every September 8, in the
characteristics and they consist of small groups calledultramarine town of Regla, in Havana, ceremonies are
"juegos" o "potencias". Solidarity is requested amongheld so that the sons of Yemeyá pay tribute to the
the players (ekobios) of each "juego", as well as theVirgin of Regla. Other celebrations in Cuba are that of
rivalry among different "juegos" which have developedSaint Barbara, on December 4, and that of
bloody events. To the Abakúa or "Ñáñigo", theBabalú-ayé (Saint Lázaro), on December 17.
sense of honor manifests itself as manliness. It's aAlthough private, the majority of the ceremonies can
society of mutual help, first developed among thebe visited by anyone, so if you are strolling around
ancient "cabildos de nación"(societies that kept aliveHavana, Matanzas, or Santiago de Cuba in the
African languages, traditions and beliefs), among theafternoon and you hear the drums playing, follow the
slaves, then black Creoles were involved , and latersound and drop by the "solar" (tenement building)
the mulattos, whites, and even Chinese. because, for sure, you'll find someone "haciéndose
Palo Monte covers numerous liturgies: "mayombe" (itsanto" (becoming a satero).
gathers the ones who work with the Dead); the